Earlier Publications (before 2022)

Jewanski, J., Reuter, C., Czedik-Eysenberg, I., Siddiq, S., Saitis, C., Kruchten, S., Sakhabiev, R., & Oehler, M. (2020). Features of Timbre-Color Mappings. An Empirical Study. In N. Nikolaeva, S. Konanchuk, & J. Jewanski (Eds.), Synesthesia: The Synthesis of Arts in World Art Culture: Abstracts from a Conference held in Saint Petersburg, March 4-5, 2019 (Vol. XVIII/15, pp. 56-59). readbox Unipress. Wissenschaftliche Schriften der WWU Münster Vol. XVIII No. 15

Voong, T. M., Reuter, C., & Oehler, M. (2020). Influence of individual HRTF preference on localization accuracy – a comparison between regular and bone conducting headphones. In Proceedings of the 148th Convention of the AES, 2.-5.6.2020

Siddiq, S. (2020). Physiology of color and pitch perception. In J. Jewanski, S. A. Day, S. Siddiq, M. Haverkamp, & C. Reuter (Eds.), Music and Synesthesia: Abstracts from a Conference in Vienna, scheduled for July 3–5, 2020 (pp. 24-35). WWU Münster. Wissenschaftliche Schriften der WWU Münster, Reihe 18 Vol. 14 https://repositorium.uni-muenster.de/document/miami/12cd754f-407d-4e15-8c5c-fe4aa79538c1/jewanski_buchblock_bd1.pdf

Jewanski, J., Schmidhofer, A., & Reuter, C. (2020). The colors of musical instruments: An intercultural comparison on timbre-color mappings with non-synesthetes in Austria/Germany and in Madagascar. In J. Jewanski, S. Day, S. S., M. Haverkamp, & C. Reuter (Eds.), Jewanski, Jörg; Day, Sean A.; Siddiq, Saleh; Haverkamp, Michael; Reuter, Christoph (Eds.) (2020). Music and Synesthesia.: Abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 (pp. 113-115). WWU Münster.

Roos, M. (2020). The Influences of Chord Progression Probability, Predictive Processing and the Behavioral Inhibition System on Aesthetic Appreciation of Pop Songs. In Psychology and Music: Interdisciplinary Encounters

Bertsch, M., Reuter, C., Czedik-Eysenberg, I., Berger, A., Olischar, M., Bartha-Doehring, L., & Giordano, V. (2020). The "Sound of Silence" in a Neonatal Intensive Care Unit-Listening to Speech and Music inside an Incubator. Frontiers in Psychology, 11, [1055]. https://doi.org/10.3389/fpsyg.2020.01055

Jenny, C., & Reuter, C. (2020). Usability of Individualized Head-Related Transfer Functions in Virtual Reality: Empirical Study With Perceptual Attributes in Sagittal Plane Sound Localization. JMIR Serious Games , 8(4), 209-223. [e17576]. https://doi.org/10.2196/17576

Jewanski, J., Reuter, C., Czedik-Eysenberg, I., Gantschacher, A., & Ward, J. (2020). What happens to the color perception of timbre-color synesthetes if the timbre dimishes or changes step by step. In Music and Synesthesia. : Abstracts from a Conference in Vienna, scheduled for July 3-5, 2020 (pp. 102-103). WWU Münster.

Siddiq, S., Reuter, C., Czedik-Eysenberg, I., & Knauf, D. (2020). Zwischen psychoakustischen Ähnlichkeiten und mentalen Konzepten: Ein Experiment zur Gruppierung von Instrumentenklängen. In Fortschritte der Akustik. DAGA 2020: 46. Jahrestagung für Akustik, geplant für 16.–19. März 2020, Hannover (pp. 653-656). Deutsche Gesellschaft für Akustik (DEGA).

Starcke, K., Von Georgi, R., Tiihonen, M., Laczika, K-F., & Reuter, C. (2019). Don’t drink and chill: Effects of alcohol on subjective and physiological reactions during music listening and their relationships with personality and listening habits. International Journal of Psychophysiology, 142, 25-32. https://doi.org/10.1016/j.ijpsycho.2019.06.001

Thiesen, F., Kopiez, R., Reuter, C., & Czedik-Eysenberg, I. (2019). A snippet in a snippet: Development of the Matryoshka principle for the construction of very short musical stimuli (plinks). Musicae Scientiae, 1-15. https://doi.org/10.1177/1029864918820212

Czedik-Eysenberg, I. (2019). Die MIRtoolbox – ein praktisches Matlab-Werkzeug. In C. Reuter (Ed.), Audioverarbeitung in Matlab, Scilab und Octave: Die wichtigsten Befehle im Vergleich. Mit einer Einführung in die MIR-Toolbox von Isabella Czedik-Eysenberg (1. Auflage ed., pp. 101-114). epOs. Wiener Beiträge zur systematischen Musikwissenschaft Vol. 3

Roos, M. (2019). Motive für ästhetische Werturteile aus empirischer Perspektive. Musik & Ästhetik, (91), 88-92.

Lorenz-Kierakiewitz, K-H., Pfändner, B., Reuter, C., & Stefan , O. (2019). Multidimensional Visual Cluster Analysis of Room Acoustical Parameter Values as Means to gain Scientific Insights and Design / Consulting Tool. In Proceedings of the International Congress on Acoustics (ICA), Aachen (pp. 795-802).

Jewanski, J., Reuter, C., Czedik-Eysenberg, I., Siddiq, S., Saitis, C., Kruchten, S., Sakhabiev, R., & Oehler, M. (2019). Timbre and Colors: Features and Tendencies of timbre-color-mappings. In N. Nikolaeva, & S. Konanchuk (Eds.), Polylogue and Synthesis of the Arts - Materials (pp. 50-51).

Siddiq, S., Reuter, C., Czedik-Eysenberg, I., & Knauf, D. (2018). The (obvious) influence of pitch and dynamics on the perceptual dimensions of the timbre of musical instruments. In E. Thoret, M. Goodchild, & S. McAdams (Eds.), Timbre Is a Many-Splendored Thing (pp. 67-68). https://mcgill.ca/timbre2018/files/timbre2018/timbre2018_proceedings.pdf

Reuter, C., Czedik-Eysenberg, I., Siddiq, S., & Oehler, M. (2018). "... wenn das Gute liegt so nah": Instrumentale Formantnähe und Klangfarbenähnlichkeit aus menschlicher und rechnerischer Perspektive. In Fortschritte der Akustik: DAGA 2018, 44. Deutsche Jahrestagung für Akustik. München 2018 (Vol. 44, pp. 1711-1714).

Reuter, C. (2018). Commentary on "An Exploratory Study of Western Orchestration: Patterns through History" by S.H. Chon, D. Huron, & D. DeVlieger. Empirical Musicology Review, 12(3-4), 160-171. https://doi.org/10.18061/emr.v12i3-4.5992

Herbst, J-P., Reuter, C., & Czedik-Eysenberg, I. (2018). Guitar profiling technology in metal music production Public reception, capability, consequences and perspectives. Metal Music Studies, 4(3), 481-506. https://doi.org/10.1386/mms.4.3.481_1

Siddiq, S., Reuter, C., Czedik-Eysenberg, I., & Knauf, D. (2018). Towards the physical correlates of musical timbre(s). In R. Parncutt, & S. Sattmann (Eds.), Proceedings of the ICMPC15/ESCOM10 (pp. 411-415). https://static.uni-graz.at/fileadmin/veranstaltungen/music-psychology-conference2018/documents/ICMPC15_ESCOM10%20Proceedings.pdf