Earlier Publications (before 2022)

Reuter, C., & Oehler, M. (2011). Psychoacoustics of chalkboard squeaking. Journal of the Acoustical Society of America, 130(4), 2545-2545.

Oehler, M., Reuter, C., Schandara, H., & Kecht, M. (2011). The octave illusion revisited: Performance measurements for handedness categorization. Journal of the Acoustical Society of America, 130(4), Article 2398. https://doi.org/10.1121/1.3654613

Niedermayer, B., Widmer, G., & Reuter, C. (2011). Version Detection for Historical Music Boxes. In Proceedings of the 8th Sound and Music Computing Conference (SMC 2011) (pp. 1-7).

Reuter, C., & Oehler, M. (2011). Wahrnehmung und Enstehung von Blasinstrumentenklängen. Formanten und Mikromodulationen. In Klangfarbe - Vergleichend-systematische und musikhistorische Perspektiven (pp. 69-82). Peter Lang.

Horsak, B., Heller, M., & Reuter, C. (2010). Ein akustischer Ansatz zur Bestimmung der Durchführungsqualität von Bogenschüssen. In Fortschritte der Akustik, DAGA 2010 (pp. 487-488)

Reuter, C., & Griebel, H. (2010). Jaco – High-quality sinusoid tracks and envelopes. In W. Goebl (Ed.), Proceedings of the Second Vienna Talk "Bridging the Gaps", Sept. 19–21, 2010, University of Music and Performing Arts Vienna, Austria (pp. 121-124).

Oehler, M., & Reuter, C. (2009). Dynamic excitation impulse modification as foundation of a synthesis and analysis system for wind instrument sounds. In T. Klouche, & T. Noll (Eds.), MCM2007 - Communications in Computer and Information Science (pp. 189-197). Springer-Verlag Berlin.

Oehler, M., & Reuter, C. (2009). The effect of breath noise on the perceived naturalness of synthesized woodwind sounds. In Proceedings of the 7th Triennial Conference of the European Society for the Cognitive Sciences of Music, 12.-16.8.2009, Jyväskylä, Finland (pp. 103-103)

Reuter, C. (2009). The role of formant positions and micro-modulations in blending and partial masking of musical instruments. Journal of the Acoustical Society of America, 126(4), 2237-2237.

Reuter, C., & Voigt, W. (2009). 50 Jahre Blassynthesizer: Die Electra-Melodica und ihre Entstehung. In W. Auhagen, C. Bullerjahn, & H. Höge (Eds.), Musikpsychologie - Jahrbuch der Deutschen Gesellschaft für Musikpsychologie: Band 20, Musikalisches Gedächtnis und musikalisches Lernen (Vol. 20, pp. 236-244). Hogrefe Verlag GmbH und Co. KG. http://www.hogrefe.de/?mod=prog_buecher&so=detail&ka=11&buchid=1930

Oehler, M., & Reuter, C. (2008). A synthesis and analysis framework for wind instrument sounds based on the digital pulse forming principle. Journal of the Acoustical Society of America, 123, 3665-3665.

Oehler, M., & Reuter, C. (2008). A synthesis and analysis framework for wind instruments sounds based on the digital pulse forming principle. Acta Acustica united with Acustica, 94, 479-479.

Oehler, M., & Reuter, C. (2008). Aspects of vibrato and micromodulation in double reed instrument sounds. Journal of the Acoustical Society of America, 123, 3447-3447.

Oehler, M., & Reuter, C. (2008). Aspects of vibrato and micromodulation in double reed instrument sounds. Acta Acustica united with Acustica, 94, 697-697.

Reuter, C. (2008). Gewinne und Verluste innerhalb der Entwicklungsgeschichte der abendländischen Blasinstrumente. In A. Haug, & A. Dorschel (Eds.), Vom Preis des Fortschritts. Gewinn und Verlust in der Musikgeschichte (pp. 253-281). Universal Edition.

Oehler, M., & Reuter, C. (2008). Perception of wind instrument vibrato sounds. In Proceedings of the 10th International Conference on Music Perception and Cognition. Sapporo, Japan, August 25–29, 2008 (pp. 648-654).

Oehler, M., Reuter, C., & Fricke, J. (2008). Recognizing and synthesizing wind instrument timbres: the role of formants and micromodulations. In Proceedings of the Workshop on Music Signal Analysis, Graduiertenkolleg Statistische Modellbildung Witten-Bommerholz (pp. 15-15)

Kopiez, R., Egermann, H., & Reuter, C. (2007). Is There an Effect of Subliminal Messages in Music on Choice Behavior? Journal of Articles in Support of the Null Hypothesis, 4(2), 29-46.

Reuter, C. (2007). Klangfarbentrennung durch Vibrato. In D. Kämper, K. W. Niemöller, & W. Steinbeck (Eds.), Alte Musik und Aufführungspraxis. Festschrift Dieter Gutknecht (pp. 215-223). LIT Verlag.

Oehler, M., & Reuter, C. (2007). New Directions in Wind Instrument Synthesis – the digital pulse forming. In . Proceedings of the First International Conference of the Society of Mathematics and Computation in Music, 18.-20.5.2007, Berlin